Soulcast Indian Princess
Someone Like Me

Second LP of the founding member of french electronic duo Il Est Vilaine : synth-pop, balearic, featuring Nico Motte from Antinote on synthetizersProducers like Simon Says are rare these days. Imagine a kid born in the first parisian rave era, who played guitar during the week, the head in the sky with diamonds and raving around Paris on saturday night. Leather boots and Techno, with attitude. These school of hard knocks was helpful for Simon : more than twenty years after the beginning of his electronic journey, he's still able to play an edgy techno-set or some tunes to make the girls dance on the floor. Knives or flowers, heavy rhythms and tropical kisses... Between groovy oddballs records released on Dialect Recordings and his Il Est Vilaine side-project duo, Simon can talk to everyone.His first album, " Epoca Blu ", 10 tracks as introspective as much solar, sing in different languages by several voices (Manthos Kaloumenos who recite the words of a famous greek poet on " Taxidi ", Sofia Fanego on " Une Nuit ", Natalia Modenova who say a Ukrainian text from Myhailo Kotsiubynsky on " Intermezzo " or his partner from Il Est Vilaine on " Djinn Tonic ") present a consistent project with a positive melancholy and bittersweet vision of love.The intimate's project assembled in a studio will not be presented in live. Music will be the link between the audience and the artist.

Joanne Forman’s Cave Vaults of the Moon created in 1987 for an exhibit of sculptures in Taos, New Mexico is a mesmerizing score for voice, Ensoniq Mirage, Juno 106, flute, guitar and effects. The playful extra-terrestrial recording wafted through the exhibit every day for its duration and then lay dormant for nearly 30 years. Unearthed now, Cave Vaults of the Moon sounds prescient and timeless, as if Pep Llopis and Iasos scored a Wicker Man remake set on Mars. Restored, remastered and cut using DMM.We humans, the nascent beings that we are, still haven’t quite figured out the full potential of music. Dancing, meditating, emoting, protesting; these are all pretty basic. But what if we communicated more complex ideas with music? What if we codified all of our activities with music? This idea came to composer Joanne Forman when commissioned in 1987 to create the soundscape for an environmental exhibition of sculpture called Artifacts from an Alien Civilization in Taos, New Mexico. The sculptures, elaborate ruins that had been found on the moon, begged the question: who created them and for what purpose? Joanne Forman imagined that Earth’s moon was a vacation spot for advanced beings from another galaxy. In her mind, the sculptures in the exhibit were the remnants of a deserted playground. Cave Vaults of the Moon became a collection of sonic texts describing the recreational activities that went on there; earth-viewing, collecting information, building and playing.