Gang Du Lyonnais
Le Gang Du Lyonnais Présente

Originally released in 1976Arranged by Kiyoshi YamayaFeaturing Shakuhachi master, Kifu MitsuhashiKifu Mitsuhashi studied with Soufu Sasaki of the Kinko-style shakuhachi in 1968. He became a member of Pro Musica Nipponia and participated in many concerts both in Japan and overseas after completing the NHK Hougaku Training Program in 1972. Mitsuhashi studied with Chikugai Okamoto of the shakuhachi fukesyu meian souryuukai in 1974. He was awarded as top soloist of the 1st Pan Music Festival in 1976.Kiyoshi Yamaya is a Japanese jazz composer, band leader born in Tokyo on March 29, 1932. As a musician commonly playing the alto or baritone saxophone, he had been a part of bands like Tetsurou Takahama and Eskyer Cats and Hiromichi Yamamoto and Champagne Serenade.Originally released in 1976, “Shakuhachi: Sato no uta” is a collaboration between these two artists. The album artfully combines each musicians respective genres of expertise, resulting in an incredible fusion of both jazz and traditional Japanese folk music.

In an unprecedented international collaboration, Energy Exchange Records presents 'The Napoli Exchange' - the brainchild of Energy Exchange Records co-founders, Lewis and Ziggy, joining forces with producer and label boss Federico Gallotti (Tartelet / La Scimmia), the project was inspired by numerous visits to Naples, allured by the mediterranean breeze and of course the underground disco and funk forged by labels such as Early Sounds and Periodica Records. This meeting of minds created an opportunity to build bridges from the historic Italian city to the broader european scene of club crossover music.

Record label boss, producer / DJ, and revered collector Marc Davis returns to his Chi-Talo series with the much-anticipated second volume. A concept of a split EP, taking one ultra-rare Chicago gem and the other a scarce Italian disco record and re-interpreting them for the modern dancefloor aesthetic.With the first volume, released on Marc’s own Black Pegasus label, now trading hands for considerable amounts of money, round two sees him impart another double dose of digging sorcery for this Mr Bongo 12”.Marc began his illustrious career in the Windy City in the ‘80s and was one of the first out of Chicago to be recognised for his eclectic approach to DJing. Presenting a global sound palette that took in choice cuts from Brazil, Africa, jazz fusion, house, soul and disco, whilst mixing it together Chicago style. Decades of knowledge and experience that is now distilled down into the Chi-Talo series.The Italo selection came via a tip from Marc's Swedish friend, Julian Wareing. Hearing the track led Marc down the rabbit hole to secure a copy of this Italo-Disco, album cut oddity by the New Sound Quartet from 1979. The original of 'Bass Construction', measures in at four and a half minutes and is already a feverish funk groover. But Marc saw an opportunity to extend and re-edit the track, keeping in the vein of the original but giving it space to breathe. Tweaking out every last ounce of goodness, Marc locks you into a hypnotic groove for maximum dancefloor deliverance.The Chicago side is as rare, as the rarest of hens-teeth, only ever existing as a one-off acetate by the band The Saucer Planes. One of the members of the group was the sadly passed-away older brother of Marc’s DJ mentor, Jahmal Anderson. From the very first listen, Marc knew he’d been hooked up with an undiscovered boogie gem. A long-lost track that the world needed to hear. But the project has remained dormant until now, not least due to the fact that the original recording of this low-fi vocal boogie groove is housed on an ever-deteriorating solo acetate. Rescued, restored and given a brand-new lease of life, Marc has turned the track into a low-slung, psychedelic instrumental boogie bounce. Raw, rough and mesmerising, it’s a refreshed relic that is a testament to Chicago’s club sound and swagger.Whichever side you draw for, this is guaranteed to move bodies as much as it wins over hearts.

✺ Limited edition.✺ Originally released in 1978.✺ Pressed on black vinyl.✺ Newly remastered.The Flying Mimi Band, fronted by Izumi Kobayashi, has gained renewed recognition in the city pop scene in recent years, along with acclaim for her later collaborations with Masayoshi Takanashi and the music for the anime "Urusei Yatsura." This LP reissue features the band's funky and groovy second and final album, originally released in October 1978.

AirFunk returns with its fifth release, blending classic and contemporary sounds for a unique experience. Side A features an electrifying retro vibe with contributions from Aline Umber, Maxime dB, and Kerowack, while Side B offers a darker, more mysterious atmosphere with tracks by Paul Cut and Brian SNR. Get ready to be surprised by this innovative mix of old and new music !