Miyasaka + 5
Animals Garden

Following the highly acclaimed first volume in the series, Japanese jazz expert Yusuke Ogawa continues the WaJazz exploration with another essential collection of music that contains something uniquely Japanese — focusing this time on the King Records catalog. Featuring timeless music by Isao Suzuki, Toshiaki Yokota, Akira Miyazawa, Takeru Muraoka, Yasuaki Shimizu, Masahiko Togashi, George Otsuka, and more!● Gatefold 180g heavy double vinyl LP, reverse board print. Comes with extensive track-by-track liner notes by Yusuke Ogawa.● All tracks licensed by King Record Co., Ltd., Tokyo, Japan.● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.● Signature artwork by Nker

Eight years after the critically acclaimed Alien Cartoon, Senegalese producer IBAAKU returns with a new project an alchemy of jazz, electronic sounds and Casamance music in the tradition of Touré Kunda and Xalam in their day.The album is also accompanied by a short filma manifesto of resilience in the face of the sound poet's personal history but also a questioning of the way in which technologies technologies and cultures come together to reinitialize our imaginary.Identity: The meeting point of electronics, jazz and the musical tradition of Casamance.The realization of this new project is associated with a research approach to traditional Casamance rhythms, vocals and instruments.A reference to Spiritual Jazz is present, through stories and approaches ; while the skeleton of IBAAKU's tracks remains experimental,with strong influences from the emerging african club scene.JOOLA JAZZ de IBAAKU

Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as “Country Dream” and “Babylonia Wind.” This work was recorded with Akira Ishikawa, Hiromasa Suzuki, Takao Uematsu and others right after studying in America for about a year. Starting with the groovy and luscious “Our Time” and “Marmalade Sky”, the dubious keyboards of “Jones Street”, and the melancholic and beautiful “Quiet Pulse”, it can be said to be a gap between jazz rock and fusion. There are attractive songs. This work represents Sugimoto’s work in the mid-1970s.