Philippe B.
I Want You

After a one year sabbatical on the label imprint Amond enters a new path to the peak of Mind Everest and delivers an outstanding five track EP called ?Fluent State?. The release is another debut of one of the crews members and filled with playful synthesizer melodies, emotive arpeggio loops and stumbling, tape distorted low fidelity tunes. Each release comes in a black screenprinted sleeve with an embossed photographic fine art print by Katrin Koenning.

After their two acclaimed edits EPs, Mister T. Records are now joining forces with LA based producer DJ Duckcomb, to deliver a groovy selection of leftfield italo-disco cuts reworked for dancefloors. One year after the release of their 2nd EP, a tribute to Brazilian music, Mister T. records are now back with a 12” EP showcasing their love for obscure disco and Duckcomb’s amazing digging skills. This record aims to be a tribute to the very special sound of the late 80s electronic music and to both the artist’s and label’s lifelong passion for obscure italo disco.Famous as a record collector, Duckcomb has also made himself a name by editing forgotten jewels from classic disco to islands reggae. Part of both duos Sharegroove and Trap.Avoid, he’s beensharing his work and latest discoveries on his bandcamp and soundcloud for years and he has already released two EPs on Universal Cave and Pleasure of Love as well as edits on Cultures ofSoul and Emotional Rescue.He’s now joining Mister T. Records with a 3-track EP compilation of hard to classify, slow-tempo, disco edits. On the A-side, Duckcomb partnered up with his longtime friend and DJ partner DinoSoccio, boss of California label Pleasure of Love, for a powerful rework of the German protohouse tune “Holidays”, with a new dancefloor oriented beat and emphasized tropical influences.On the B-side, he showed his editing skills working on two obscure downtempo tracks with that recognizable late 80s melancholic atmosphere. By removing not danceable parts, building DJfriendly grooves and removing unnecessary vocal parts, he managed to come up with a smooth italo ballad with acid accents on “S.O.S.” and a beautiful balearic new-beat jam on “King (of) a Beat”.