Hans Zimmer Benjamin Wallfisch
Blade Runner 2049 (Original Motion Picture Soundtrack)

Les Studios Ghibli annoncent la sortie des bandes originales des films de Hayao Miyazaki composées par Joe Hisaishi, rééditées pour la première fois en vinyle. Retrouvez ici la bande originale du film "Mon voisin Totoro".● Pochette Deluxe Replika / Deluxe Replika Sleeve● Bandeau "Obi" / "Obi" ● Livret 4 pages illustré / 4 page booklet with original artwork

This release gathers for the first time on vinyl the most famous musical themes from Tim Burton’s movies. Most of them are composed by Tim Burton’s favourite composer (Danny Elfman), and some by Howard Shore and Stephen Sondheim.The songs are drawn from the cult film that launched Johnny Depp’s career: “Edward Scissorhands”, to his latest masterpiece: “Alice’s Adventures in Wonderland”.The collaboration between Tim Burton and Danny Elfman is one of the most successful of Hollywood. This duo has allowed to convey this distinctive imagery created by the former Walt Disney cartoonist, who has become, today, the undisputed master of fantasy and strangeness.Danny Elfman (also known for the famous Simpsons’ generic/film credits) remains thecomposer who, better than anyone, has been able to transcribe the universe both dark andfairy of his favourite director. His music draws its inspiration from Edgar Allan Poe’s novel, German expressionism and from the Hammer’s cult movies.This vinyl offers an hour of music to immerse yourself into Tim Burton’s phantasmagoric universe:from the hypnotic and quirky theme of Willy Wonka (Charlie and the Chocolate Factory) to the disturbing atmosphere of Gotham City (Batman). This album pays tribute to both Tim Burton’s cinematographic work and Danny Elfman’s musical genius.

Curated by Tarantino himself, the soundtrack’s a love letter to the music of 1960s-era Hollywood, and features everyone from Paul Revere & The Raiders, to Deep Purple, to Simon and Garfunkel, to Mitch Ryder and the Detroit Wheels. It’s a wild ride, alright. Featuring Deep Purple, Neil Diamond, Vanilla Fudge, and many '60s commercial jingles that should send you straight back into the picture.

Conçu comme un complément narratif à l’album de bande dessinée "Lou ! Sonata", le disque égrène des ambiances et des tonalités très éclectiques.On y retrouve des plages instrumentales hip-hop impressionnistes, de la techno, un chant exutoire free jazz et metal, de la bossa-nova, du rap sur une instrumentale jungle jouée live, des balades trip-hop et de la chanson française à texte.L'édition double vinyle comprend plusieurs bonus autour de l'univers de "Lou ! Sonata" : un poster, une série de 4 illustrations et une planche de sticker.

For the first time ever, here is the soundtrack from the 1983 post-apocalyptic flick directed by Joe D'Amato, Endgame - Bronx Lotta Finale. A compelling Carlo Maria Cordio's mighty Vangelis-meets-John Carpenter score. With hangovers from previous Giallo-based outings, Endgame's themes are more gentle and introspective than, say, Claudio Simonetti's muscular work for The New Barbarians and Hands of Steel but also, arguably, musically more diverse. In particular, the opening title track 'Atomic Contamination" is genuinely chilling when set against the stock footage of a nuclear bomb going off.While liberally pinching the vibe of Blade Runner's more symphonic textures, Cordio's synthesizers also do bombast, melancholy and menace when required, whilst the pretty pieces for Lilith are like semi precious jewels shining out of the murk and machismo.