Dead Or Alive
You Spin Me Round (Like A Record)

Rogue D & Memoryman AKA Uovo team up for their latest release this September with the Electric Safari EP. The four-tracker marks their collaborative debut on Crosstown Rebels, fresh from Total Black on Rebellion in 2019, and includes two remixes by longstanding German talent, Roman Flügel.That tribal sound is felt right from the get go, as rustling hats marry up next to whirring synth pulses throughout. Ethereal keys chime beside resonant kicks whilst bell-like tones march on in the background. Roman Flügel’s remix takes on a more minimal-inspired feel, where a punchy underlying bassline perfectly compliments the celestial chord solos, before proceedings get stripped back further on the B Side with a dub version of each track.Italian-native Rogue D is a well-loved figure in the contemporary house sphere. Renowned as one of half of Flashmob, his back-catalogue boasts EPs on an array of the scene’s leading labels, including Hot Creations, Crosstown Rebels and Defected to name a few. Fellow Italian-mainstay Memoryman AKA Uovo has garnered a global following in a career that spans decades. One third of the legendary Pastaboys collective, his productions have found a home on Snatch! Records and Rebellion in recent times. Roman Flügel has been a champion of Germany’s electronic music scene since the nineties. A prolific producer, the likes of Gerd Janson’s Running Back and Sven Väth’s Cocoon Recordings have welcomed his releases with open arms over the years.

When it comes to jackin' Chicago style acid house revivalism, few can hold a candle to Paranoid London. As this long-awaited second album proves, the duo is the undisputed masters of sweaty, TB-303 driven jack-tracks and - as recent single ''(Vi-Vi) Vicious Games'' and LP opener ''Starting Fights'' prove - classic-sounding vocal cuts that recall the glory years of Fingers, Inc in the mid-to-late 1980s. Interestingly, ''PL'' boasts far more collaborations than we've seen from Paranoid London before, including a string of ragged club cuts blessed with evocative spoken word vocals, a thrusting acid throb-job with lead vocals by Simon Topping and a suitably twisted, machine-driven hook up with Arthur Baker and Alan Vega (the raw and weighty ''Angel Of Hell'').